A full-service advertising agency

What We Do
Our Team
Dearing Group logo
Our Work
Contact
Dearing Group logo

Titanic streaming: where to watch movie online?

It was a very vulnerable time in my life, and I refused to let that be the image. In addition to being a talented recording artist, Rihanna is a billionaire entrepreneur with multiple successful business ventures. Rihanna’s latest work, Anti, arrived in January 2016, topping the mainstream album chart for two weeks. In June 2007, Rihanna released her third album, Good Girl Gone Bad, to much fanfare. The album’s second single, “If It’s Lovin’ That You Want,” made it into the top 40. Rihanna released her debut album, Music of the Sun, in August 2005.

Grammy Awards

Instead, she wanted to capture the years of her life while they still represented what she was going through, writing about what she was observing and experiencing, from love and friendship to feeling like an outsider. Written throughout her adolescence, Taylor Swift was recorded at the end of 2005 and finalized by the time Swift finished her freshman year of high school. In a genre dominated by men, the odds were already stacked against Swift when she first broke into country music as a teenage female artist.
True to her Carribean heritage, Rihanna’s dancehall-inspired debut single “Pon de Replay” earned the then 17-year-old Barbados native her first entry on the Hot 100 at an impressive No. 2. As the world eagerly awaits new music, celebrate 20 years of Rihanna with the monstrous hits, ambitious projects, brow-raising visuals, and iconic collabs that propelled her to international stardom — and why it’s all put her in a league of her own. Performing hit after hit while unveiling a baby bump, her 13-minute set became one of the most-watched halftime shows of all time with over 121 million viewers. Even her business ventures have been a massive success, as her Fenty Beauty brand is worth nearly $3 billion as of press time.
Lead single “We Found Love” is undeniably the biggest hit to stem from the Talk That Talk era, spending 10 consecutive weeks atop the Hot 100. Her longing continues in “Where Have You Been,” which flaunts Rihanna’s versatility, flipping Geoff Mack’s 1959 country song “I’ve Been Everywhere” into an infectious EDM banger. It was especially refreshing to see Rihanna emerge from one of the darkest periods of her life as exuberant as ever.

Listen To These 13 Essential Taylor Swift Tracks

“And, baby, that’s show business for you,” Taylor Swift declared after announcing her 12th full-length album, The Life of a Showgirl. But with The Life of a Showgirl, it’s clear she’s closing the chapter — or should we say era — of her life that was the catalyst to the new one she’s stepping into. Yes, she is still the same artist who wrote the fairytale-tinged record Fearless, crafted the indie pandemic escape that was folklore, and dove into the depths of her sadness on The Tortured Poets Department. After the muted sonic tones of The Tortured Poets Department, The Life of a Showgirl is possibly Swift’s most jubilant album yet.

In contrast to the fairytale motifs and happy endings of Fearless, evermore saw Swift become fixated on “unhappy” endings — stories of failed marriages (“happiness”), lifeless relationships (“tolerate it”), and one-time flings (“’tis the damn season”). Like its (literally) folklorian sister, evermore was a surprise release at the end of 2020, marking the first time Swift didn’t have distinct “eras” between albums. It was exciting enough for Swifties to experience one surprise album drop from Swift, an artist who typically has an entire album campaign calculated. At the 2021 GRAMMYs, folklore took home Album Of The Year, making her the fourth artist in history to win three times in the Category. After its release, folklore became the best-selling album of 2020 after selling 1.2 million records. Lover became Swift’s sixth No. 1 album in America, making her the first female artist to achieve the feat.
Everything that happened after the success of Fearless pushed Swift from country music’s best-kept secret to a mainstream star. It might not be the romantic tale Swift dreamed of growing up, but her sophomore album signalled that bigger things were to come. It won Swift’s first Album Of The Year GRAMMY in 2010, at the time making her the youngest person to win the accolade at age 20.
Rihanna has worked with music video director Anthony Mandler on seventeen music videos, the first being “Unfaithful” (2006). Rihanna was also influenced by artists such as Janet Jackson, Aaliyah, Beyoncé, Celine Dion, Grace Jones, Lil’ Kim, Prince, and Brandy. In her youth, Rihanna often watched Bob Marley on television due to his popularity in the Caribbean. Rihanna identified Brandy’s fourth album, Afrodisiac (2004), as a primary source of inspiration for her album Good Girl Gone Bad. After moving to the US, she was exposed to a wide range of musical genres, which she said had a profound effect on her.

Rihanna

Gleefully playing the witch doctor, prolific singer/bassist Esperanza Spalding individually released every song (and an accompanying video) from her seventh album across 11 days before serving up its cauldron of genre-hopping sounds in full. (Rih recorded an equally moving sequel for her Loud album.) Three years later, the two confronted their inner demons in “The Monster,” and their musical chemistry scored a GRAMMY in 2015 for Best Rap/Sung Collaboration. Final single “Te Amo” didn’t chart, but garnered a great deal of attention as the Latin-infused Stargate production depicts Rihanna being enticed by a female love interest. It also marked Rihanna’s first time veering away from her “girl next door” image, as the song’s subject matter deals with infidelity. Follow-up single “If It’s Lovin’ That You Want” stalled at No. 36 on the Hot 100, but still whetted fans’ appetite — as did her debut album, Music of the Sun, which is mostly comprised of dance-pop and dancehall tracks with hints of R&B (like “Willing to Wait”). Shortly after her 16th birthday, Rihanna left her home country for the U.S. to record a demo, which included her breakthrough hit “Pon de Replay.” The demo found its way into Jay-Z’s hands, and Hov signed the teen artist to Def Jam and the label expedited her 2005 debut album, aptly titled Music of the Sun.
Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon. “Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,” she pleads in the seven-minute two-parter. Her swagger is boisterous in “Phresh Out the Runway,” “Jump,” and strip club anthem “Pour It Up,” but “Nobody’s Business” really drives home the album’s theme of being unbothered. Vocally, Rihanna’s strength lies in her ability to evoke raw emotion à la “Stay.” Featuring Mikky Ekko, the stripped-down, slow-burning piano ballad narrowly missed the top spot on the Hot 100 but gave Rihanna her 24th top 10 hit, surpassing Whitney Houston’s record of 23 in 2013. One of Rihanna’s most precious offerings to date, “Diamonds” emerged as a self-love mantra due to its uplifting “Shine bright like a diamond” chant. Its lead single “Diamonds” resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.
In turn, Swift hasn’t just become one of the biggest artists of all time — she’s changed pop music altogether. Since then, she’s released 12 studio albums, re-recorded four as “Taylor’s Version,” and cultivated one of the most feverish fan bases in music. Furthermore, the deluxe edition consists of 16 tracks, half of which topped the Dance Club Songs chart — smashing the record (previously held by Katy Perry’s Teenage Dream) for the most No. 1s from a single album. “Same Ol’ Mistakes” is a cover of psychedelic rock band Tame Impala’s “New Person, Same Old Mistakes” — her first time remaking another artist’s song for her own album since “You Don’t Love Me (No, No, No)” on Music of the Sun. The album feels like one big celebration of life, as evidenced by Rihanna’s fire-engine red hair and No. 1 singles “Only Girl (In the World)” and “What’s My Name?” (the latter of which was Rih’s first collaboration with Drake). Despite being Good Girl Gone Bad’s lowest-charting single, Timberlake heralded the song as “the bridge for her to be accepted as an adult in the music industry.”

The Women Essential To Reggae And Dancehall

She also won her first GRAMMY in 2008 (Best Rap/Sung Collaboration for “Umbrella”) and scored four other nominations, including Record Of The Year. Good Girl Gone Bad remains Rihanna’s best-selling album and marks her greatest reinvention as she adopted a more rebellious sound. The melancholy “Rehab” is a clever metaphor for lost love, co-written by Timbaland and Justin Timberlake. Produced by Tricky Stewart, the LP’s juggernaut lead single “Umbrella” featuring Jay-Z skyrocketed to No. 1 in 17 countries. Her official introduction to the world also hit No. 1 on the Billboard Dance Club Songs chart; she boasts 33 on the tally, second behind only the Queen of Pop herself, Madonna.

Elizabeth Taylor has appeared as a character in Swift’s songs before, particularly in rep’s “Ready For It…?” where she compares herself to the famous actress and entertainer. Comparatively, “Eldest Daughter” — track five, a spot Swift notoriously reserves for the most emotional song — is a love song about the masks we wear and the selves we choose to reveal. Throughout the record, dynamic and layered pop soundscapes mimic the same energy Swift was feeling both on and off stage. “I thought who better to ask to be a part of this song than the ultimate showgirl Sabrina Carpenter.” Instead of writing songs akin to “I Can Do It With A Broken Heart,” a song about performing in the midst of heartbreak and grief, Swift opted to focus on what people don’t necessarily see when they buy a ticket to a show. Now that the curtain is up and The Life of a Showgirl is out, read on for five key essential insights from Taylor Swift’s new album.

Its second single, “If It’s Lovin’ That You Want”, peaked at number 36 in the US. After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album. She waited in Jay-Z’s office while lawyers finalized a six-album contract with Def Jam. In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.

Trending on Billboard

Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy and its Affiliates. And with that tour having celebrated her life’s work up to now, The Life of a Showgirl feels like the exhale before a brand new beginning. “That always chokes me up because it transports me right back to that actual memory of standing on that stage for the last time on that tour that was so important to me, and the tour that really inspired this album. So it’s the last track of the album and a really special one to me.” For a project about being a showgirl, introducing people to the concept of the album at the end was puzzling for some. For her, finding a balance between her career and love, and realizing that they can coexist, makes this album one of Swift’s most — if not the most — romantic to date. Yet these songs admit that she doesn’t want to carry it all alone; she wants partnership, to build something with someone else.
She didn’t want to be just “another girl singer” and knew writing her own songs would be what set her apart. Every album era has seen Swift reinvent herself over and over, which has helped pave the way for artists to explore other musical avenues. A once-in-a-lifetime generational storyteller, one could argue that she is music’s modern-day maverick, constantly evolving both her music and the culture around her. Sadly not a tribute to the classic ’60s sitcom starring Elizabeth Montgomery, Bewitched is instead a self-described “love album” that helped Laufey surpass Björk and Sigur Ros as Iceland’s most betista casino streamed artist.
A pop and reggae album, A Girl Like Me peaked at number five on the Billboard 200 chart, with 115,000 copies sold in the US in its first week. Impressed, Rogers arranged a second meeting with Rihanna and her mother—this time without the other two girls—and later invited them to his hometown in Connecticut to record demo tapes for record label submissions. Around this time, Rihanna began listening to reggae artists such as Sizzla and Damien Marley, as well as R&B musicians like Whitney Houston and Mariah Carey. She is the highest-certified female digital single artist by the Recording Industry Association of America, and has seven diamond-certified singles and fourteen number-one singles on the Billboard Hot 100. These albums contained the US number-one singles “Rude Boy”, “Only Girl (In the World)”, “What’s My Name?”, “S&M”, “We Found Love”, “Diamonds”, and “Work”. The albums spawned the singles “Pon de Replay” and “SOS”, which peaked at numbers two and one on the US Billboard Hot 100, respectively.
Nancy was largely unaware of its popularity as a hip-hop sample, and didn’t receive royalties for the tune (itself owned by producer Winston Riley, who died in 2012). She never stopped performing, and while Sister Nancy traveled as far as Israel to sing, she was often relegated to multi-artist bills — and not in the largest text. It’s been used in film and television, including prominently in 1998’s Nas- and DMX-featuring Belly. Multiple sources consider it the most sampled reggae song ever (WhoSampled.com counts 155 samples), with Beyoncé, Madlib, Run D.M.C., Lauryn Hill, Chris Brown, Alicia Keys, Ariana Grande, and Buju Banton and many others pulling from Nancy’s crisses lyrics. Sister Nancy wouldn’t perform the song on a Jamaican stage for eight years, until she featured at 1990’s Sting competition. “I went with Yellowman to Harry J’s Studio. Yellowman did a ‘Bam Bam,’, and I had to finish my One, Two album, and I just said I am going to do a tune like Yellowman did. And I did ‘Bam Bam,’ my way,” Nancy recalls.